Wilhelm Meister’s Apprenticeship Essay Example for Free

Wilhelm Meisters Apprenticeship EssayThe stocks or lieders do by Hugo savage and Franz Schubert, although of the same origin, argon all different when analyzed side by side. For a brief history, the song is from the verse form Do you know the land where the lemon trees bloom? and is written as a part of the novel Wilhelm Meisters Apprenticeship. This was the script for the actor of Mignon, a lady whom Wilhelm encounters on his travels. The both composers perfectly created a melody each distinct from each other, showing their vast differences in ground of style, knowledge, and even understanding of the numbers itself. In listening and discerning these pieces, one must understand the 2 composers had different theories and practices pertaining to composition. This would help in understanding the songs even better. A very noticeable fact, even for front time listeners would be the difference in the overall structure of the songs. Franz Schuberts song seems to be undisturbe d of devil main move, a verse followed by a chorus, then repeated again for a number of times. merely it cant be helped to notice that the chorus is of a different mood, and totally contrasting to the preceding verse.The verses have hints of sorrow, and mystery to it while the chorus is almost like a middling tune in terms of melody and euphony. Hugo wolf downs piece on the other deliberate was slow, mellow and dark all throughout. The whole song as well as seemed to flow continually, with different melodies happening both time. There was still a chorus type of part, which was repeated for about three times during the song. scarce unlike Schuberts contrasting themes, Wolfs chorus all intensified the dark and pocket-size theme of the song.In Wolfs composition, the use of a very thick texture is ascendent in the chorus. The piano plays the bass part heavily, while his use of the hamper pedal occasionally brings up a very striking minor melody. It is also more chromatic co mpargond to Schuberts, which is predominantly diatonic. On Schuberts side, there is a lesser heighten of texture during the parts of the song, and more on rhythm change. There are some instances however, like when the chorus ends, where a very appropriate change in volume occurs that signifies the end of that part.Although the sudden return of the verse gives away the sense of texture that could have occurred. In a whole, Schuberts song seemed to be played straightforward, but his change of mood gives the listener a type of rapture. The twain songs also differ greatly in the vocal parts sung by the singer. In Schuberts arrangement, the voice seems to be very attached to the pianos melody. Almost as if the piano was playing the exact melody the singer is singing. There is also less change in power, but more of, as said earlier rhythm change.The singer shifts from legato lines to staccato-like phrases beautifully but keeps her volume and projection at an almost constant level, exc ept for the ends of the choruses where she follows the rising tone of the accompaniment. The singer also had a wider range of notes to work with. In contrast with Wolfs piano lines, the melody only seems to support the singer, to provide a cushion on which the singers sing on. This is very evident during the chorus parts where the melody played a stream of doleful notes completely off with the singers rhythm.The singer stayed at a constant feel, increasing the projection and power as the accompaniment does. I can say that in Wolfs song, the singer would have worked harder in hitting those notes with the right amount of power. The range of notes are very much wider than that of Schuberts. These and many more differences on the two compositions show a much deeper mood in composing other than just scales and notes. By thoroughly understanding the poem and the two song arrangements, we can make a conclusion regarding the view of the composers in regard with the said poem.In summary, t he poem seems to be questions by the singer to a sealed someone. The singers hopes of finding a place, somewhere where the lemon trees flowering and the roof rests on the pillar of the house. Franz Schubert may have viewed this as a two mood poem the solemn, sad part where the singer asks the questions and a happy one where the singer got a kind of excitement in knowing that the place was found. This is very much portrayed in his composition. By using two totally different rhythm and modes, he is able to allow the listener to perceive a change in the singers mood.It is as if the singer found hope in her questions. The continuously sad atmosphere of Wolfs piece on the other hand may suggest that Wolf sees Mignon as a woman of a dark and mysterious background. Something where happiness may be drawn out of her, and the questions asked were in hope of desperation. Finally, the songs differ in terms of their effect to the listener. Schuberts song unbroken on resolving every time the chorus was sung. It is evident that there are only two major parts, and a very well made fake ending covered the real one.It is as if the song had been repeating after the first set was done. This leaves a distinction of hominess, where the listeners tend to feel relieved, safe, at home. The diatonic nature of the song and the frequent tonic tone heard helps in providing this certain feeling. But for Wolf, the chromatism and dissonance created a lot of tension during the songs. Wolf is known for avoiding resolving at the home bring up when not needed. This song shows much of this character, as there is a sense of floating when one hears it.Wolf also tries to avoid the common strophic type of songs. He likes building his melody as he goes along, do verses differ from each other. These two songs are great manifestations of their composers ideas. Each has different structures and quality, none of which is inferior to the other. By analyzing these, we can conclude that composers not only compose the melody, but they also create a certain atmosphere on which the listeners can submerge to, by using different styles. And Franz Schubert and Hugo Wolfs songs are great examples of these.